Incorporating variation in training is a viable option to stave off adaptive resistance — a plateau that limits progress — and improve athlete buy-in. Coaches can keep training sessions fresh, challenging, and effective by introducing novel exercises, subtle movement modifications, and well-structured complexes.
Here's how to apply variation to maximize progress while focusing on the primary training goals.
Three main forms of exercise variation
Sequencing
Exercise sequencing involves the planned transition from one exercise to a similar, slightly varied one. These exercises often share overlapping technical elements or target specific movement phases, promoting adaptations within the same aspects of technique.
Example 1:
- Block 1: Clean from Power Position
- Block 2: Clean from Hang Above Knee
- Block 3: Clean from Hang Below Knee
This sequence adjusts the starting point of the lift, offering new challenges in the same general framework.
Example 2:
- Block 1: BTN Power Jerk
- Block 2: BTN Split Jerk
- Block 3: Jerk from Front Rack
This sequence adjusts bar placement in the jerk, increasing specificity across the training phases.
Exercise modifications
Modifying an exercise involves altering its performance by adjusting a number of potential movement parameters. This might include no hook grip, no foot movement variations, eccentric or isometric components, or other tempo changes. Exercise modifications are particularly effective for maintaining relative intensity while controlling absolute intensity to avoid unnecessary fatigue buildup.
Examples:
- Snatch with No Hookgrip and No Foot Movement
- Clean Pull with a Slow Eccentric
- Squat with a 3/0/3 Tempo (3 second down, 3 seconds up)
Complexes
Exercise complexes combine multiple movements in a single set, often targeting various phases of the lift. This method is useful when athletes need different forms of overload without stagnation or when isolating technical weaknesses. Complexes allow athletes to refine specific elements of the lift and build strength in weaker areas.
Examples:
- Push Press + Power Jerk + Split Jerk
- Clean + Jerk Dip + Jerk
- Snatch High Pull (2) + Snatch
Complexes are powerful tools for developing high quality movement patterns, general and specific work capacity, and managing fatigue.
Potential pitfalls of excessive variation
While variation is crucial, overusing it can hinder progress toward directed adaptations, particularly in Weightlifting and Powerlifting.
Here are common mistakes to avoid:
Frequent Exercise Changes: Switching exercises too often reduces consistency and skill reinforcement. A general rule would be to perform the same movements throughout a training block before rotating to a new variation. Although, some concessions can be made depending on the purpose of the complex. If you are attempting to increase loads across the training weeks, increasing the specificity of the complex and reducing its parts could work toward that end.
- Example: Work Capacity Blocksome text
- Intro Week: Snatch Pull (1) + Snatch (1)
- Loading Week 2: Snatch Pull (1) + Snatch (1) + OHS (1)
- Loading Week 3: (Snatch Pull + Snatch) Double
- Deload Week 4: Snatch + OHS
Excessive Modifications: Modifying too many exercises within a program can dilute the program's intended impact. Over reliance on exercises that are difficult to load will reduce the program's effectiveness.
- Example: No contact, No Hookgrip, No Foot Movement, Power Snatch
While this helps iron out technical kinks, it severely lacks load specificity. Instead, limiting exercise modifications to 1-3 depending on the training block and exercise purpose can help keep training in the realm of correct amount of specificity and correct amount of variation.
High Volume of Complexes: Overuse of complexes reduces the specificity in a program. Focusing solely on adding complexity (pun intended) for complexity’s sake is a fool’s errand. Complexes, like any other training tool, should serve a particular purpose. Saturating a program with them may feel awesome, but it can seriously compromise the training effect. Remember, it is not about how much you do, it’s about how well it works. Each piece of a program should contribute toward load or movement specificity across time.
Practical recommendations for implementing variation
To balance the benefits of variation with the need for specificity, consider these guidelines:
Strategic Constraints: Implement constrained or modified exercises to decrease absolute intensity during lower stress sessions, allowing for higher relative intensity without accumulating excessive fatigue. For a deeper look at a constraints-led approach to technique, read Joshua Gibson's article here:
Unlock Perfect Technique: The Vardanian Snatch
Logical Complex Pairings: Select exercises that complement each other and introduce complexes as training volume increases, mitigating monotony and keeping workouts engaging. Check out Joshua Gibson's article on complexes here:
Complexes: Building Work Capacity, Muscle, and Technical Mastery
Targeted Exercise Rotation: Use variation to emphasize skill development in an athlete's weakest phases, blending volume across all aspects of the lift to improve skill integration. Avoid rotating between dramatically dissimilar exercises, such as going from a snatch with a pause off of the floor to a power snatch from the hip.
Your training should be varied, but just enough
Any coach can write an exercise and set/rep salad onto a blank document and call it a program. The key to writing effective training plans is to master the placement and sequencing of exercises across a training day, microcycle, mesocycle, and macrocycle. By thoughtfully applying exercise sequencing, movement modifications, and complexes, coaches can ensure that their athletes remain engaged and challenged while realizing their athletic potential. Coaches can use variation strategically to maintain intensity, address weaknesses, and sustain technical precision without compromising the integrity of the program. Once these core components are mastered, programs can evolve from splatterings of paint (think Jackson Polock) or “color by number” kits to masterful works of art.